By Rajiv Kaushik
Art, Language and determine in Merleau-Ponty takes up the unconventional job of the figured philosophy to render good and linguistic areas sooner than the idea in their separation. Kaushik situates Merleau-Ponty's criticisms of Saussure's linguistic process, in addition to a extra common repudiation of the act of inscribing in favour of an abstracted textual that means, during this context. Following the artists most crucial to Merleau-Ponty's personal writings on paintings, resembling Paul Klee and his fascination with hieroglyphics, and increasing those analyses to newer twenty first Century artists similar to Cy Twombly, Kaushik takes an expedition into the areas the place paintings and language, picture and textual content, drawing and writing, determine and discourse, are interlaced in Merleau-Ponty's final ontology. In view of those intersections, Kaushik finally argues, the murals offers us the areas the place the chances of philosophy, either previous and destiny, dwell. because the first sustained remedy into the connection among artwork and language, this can be a huge contribution to Meleau-Ponty's philosophy and students of aesthetics.
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Extra info for Art, Language and Figure in Merleau-Ponty: Excursions in Hyper-Dialectic (Bloomsbury Studies in Philosophy)
Art, Language and Figure in Merleau-Ponty: Excursions in Hyper-Dialectic (Bloomsbury Studies in Philosophy) by Rajiv Kaushik