By Tzachi Zamir
The publication engages questions of theatrical concept, the actor’s “energy,” the variation among appearing and pretending, the exact position of repetition as a part of stay appearing, the viewers and its appeal to appearing, and the original importance of the actor’s voice. It examines the embodied nature of the actor’s animation of a fiction, the breakdown of the excellence among what one acts and who one is, and the transition from what one plays into who one is, growing an interdisciplinary meditation at the dating among existence and acting.
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Acts: Theater, Philosophy, and the Performing Self (Theater: Theory/Text/Performance) by Tzachi Zamir